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Archive for #JuiceRecordings

The Wes Smith Variety ShYo Episode #37 w/ Special Guest Alejandro “Bebe” Fernandez

This week on the Wes Smith Variety ShYo we have very special guest: Alejandro “Bebe” Fernandez. A busy week for Bebe, in additional to joining us, he currently has a top 10 Beatport hit and is headlining Breaksgiving in Denver this weekend.

The Variety ShYo is based in San Diego, CA. I talk with real people I’ve met through the music business, about real things, in real time, with no edits.

 

Stay classy, Yo!

Related Links: [Facebook: Bebe] [Instagram : Bebe]

 

Omega Squad Remixed Volume 1 (Wes Smith Califournya Remixes)

Omega Squad Remixed Volume 1 features remixes on two original Omega Squad productions. Included are the Califournya remixes of “Hey California” and “All Day All Night”.

Related Links: [Buy the Tunes] [Get Email] [Get Social]

Bass Bumpin by Wes Smith

Juice Recordings presents Bass Bumpin & Time To Laugh. Bass Bumpin delivers a grimy synth shakedown while Time To Laugh brings a good vibe breakbeat groove with smooth flowing vocals.

Wes Smith Related Links: [Get Email] [Get Social]

Karnivalya 02 by Wes Smith

Karnivalya 02 is here! Cranking up the power to blow out the spot with “Crank It Out” and on the flip side, “All The People” absolutely shreds the speakers. Guaranteed to make the ravers dance.

Karnivalya 01 by Wes Smith

Wes Smith brings you the first installation of Karnivalya. Levitate holds nothing back, bringing a vicious assault of high energy sound waves. A festival banger on every level. Give It To Em continues to roll out the breaks on a massive scale. Guaranteed to make the ravers dance. BreaksMafia delivers the remix of Give It To Em, twisting up the original and keeping things fresh.

Sawtooth by Wes Smith

Here to oscillate your body with the newest release, Sawtooth. “Feel The Groove” and “Shake It Freak” showcase an creative approach to sound synthesis and groove production.

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Califournya Dreamin 01 ft Nothing to Say and Bubble Yummy

Following the first Califunkya Dreamin’ release, we bring you Califournya Dreamin’ 01! Enjoy the Califournya mixdowns of “Nothing To Say” and “Bubble Yummy”.

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Califunkya Dreamin’ 01 by Wes Smith

It’s here, the first release in the Califunkya Dreamin’ series. “Nothing To Say” is an absolute smasher, switching up grimy lead sounds on the main melody and redropping into utter synth madness. On the flip side, “Bubble Yummy” wubs its way into the mix, stacked with pitched vocal chops and a truly unique energy.

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Related Links: [Get Email] [Get Social]

It’s Wes Smith Yo – The Album Remixed Vol 1 : Rob-E Interview

Next up on the road to the remix album release…the one and only Rob-E based out of Orlando, Florida.  While a few minutes of rave culture have passed for both of us, we most recently linked up this year at the Revelation party in Tampa.  Bass heads throughout Florida and beyond need no introduction, so sit back and enjoy the ride.

Interview by Kelly Ross | Agent 137

What is the Wes Smith connection?

Wes and I have known each other since the 1990’s, the original Juice days. I met him at Simons back in the day, He and I lost contact for a while, he popped back up a few years ago and has been totally been putting in work. Everywhere you look you see Wes Smith!

 

Which tune did you remix off the album and why did you pick it?

I picked “Do You Want To Get Funky” I got to choose which one and it was the vocals that really caught me, full of soul!

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What were your challenges with the remix and what were the good points? 

It’s an old C&C Music Factory track and her vocals are absolutely amazing so that excited me to use them. I got the vocals dry at 118 bpm and there was a snap that was throwing me off and I had to write around it. It took some creativity to get around but it flowed fast after the snap and we were able to finish the remix in 6 hours.

I’ve known the Rob-E Name now for a long time.  Tell me what has changed since the “back in the day” times for you?

Everything in life changes, it evolves, especially music. But back then it was a lot more exclusive to be a DJ. I would walk into Vinyl Frontier and I would have test pressings and dub plates from Icey, amongst other breaks artists. I had a flightcase full of white labels and dub plates, super exclusive. But now it’s a totally different game. With Mp3’s as our main format of music, it’s not so exclusive anymore. It’s real easy to share media these days, so the days of being super exclusive are far-gone.

Rob-E 1

How do you keep it exclusive in this time?

I try to keep it true to the old school, if someone gives me music and asks me not to share – I don’t. I try to keep my shows exclusive now a day as well. There’s only a hand full of promoters that I will play for – I’m also a full time father of 2 [daughter 11 and son 10] Music was my first love, but now that I’m a father, my children get my full attention first and foremost.

Who is your biggest influence?

My Influences come from many different genres of electronic music. I get a lot of influence form my partner in crime Carl(DJ Security) – My mentors are Andy Hughes, D-Xtreme and DJ Orlando (All the Old skoolers in O-Town will know this name!) Kimball Collins also had a big part in molding my sound, but when it comes to break beat, thank heaven for Icey, I have known him since the Edge days. He has kept the breaks scene alive and moving for a long time, if it wasn’t for that guy it may have died. The breaks scene has been up and down like a roller coaster, but he has been there in the valleys and he is the one that has kept it going. Hands down he is the pioneer of the U.S. break beat scene.

Where would you like to see the future of breaks go?

Right now I am teaching my daughter how to DJ. She is really into it and digs the music. It’s cool to see some of the newer generation that is into break beat, and where they will be taking it. Pauly [Fixx], Keith [MacKenzie], Wes [Smith] are the ones really putting in work right now, I’m proud of Pauly – he is a machine and living the dream. The breaks guys (and gals) in Europe are taking break beat to a whole other level now. It reminds me of the USA back in the 90’s’ Also, Sharaz is producing some new stuff that is totally different, it’s retro but nothing like you have heard it’s a super fresh sound.

Thank you for your insight, Rob-E. We look forward to your remix on December 14th. Bless.

It’s Wes Smith Yo – The Album Remixed Vol 1 : DJ Hero Interview

Next up in the interview series is DJ Hero.  I’ve always enjoyed the variety in his sounds and was pumped to have him jump in on the remix project.   While we have not met in person, we’ve connected through mutual friends over at XeroTribe and chat in bits and pieces over the last year.  I’ve found his perspective on music refreshing and worldly insights fun to follow.

Interview by Kelly Ross | Agent 137

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Where does the name “DJ Hero” come from?

When I was young, I used to draw comic books. One day, when I was 19, I was sitting at my house with my roommate, doodling. I had just recently started DJ’ing. I wouldn’t even consider myself a DJ that point. I sat there, at the table drawing, while my roommate sat across from me reading. I had set my drawing pad down, and gotten up to go refill our coffee cups. When I returned to the table, my roommate had drawn the Superman “S” on the chest of the little DJ character I had been drawing. Before I could say anything, he said “that’s you, you’re DJ Hero”. I erased the “S” from the shield, and added a DJ. It just sort of stuck. To me a hero is someone that sets an example and is an inspiration for people. If I was the normal guy, then DJ Hero would be my muse to be more than I was; to be a better person. I hope that over time, as DJ Hero, I’ve inspired other people to be and do more with their own lives through my music and hopefully the example I’ve tried to set.

DJ Hero - Shield Logo

Your label is named Solitude Studios – what’s in a name?

I have been a bit of a loner all my life, and not a fan of big crowds or busy places. My studio is my place to get away from the rigors of the outside world, or packed clubs, venues, and festivals. I tend to think more clearly, and more creatively when I sit in peace. When I finally built my studio it seemed only fitting to call it “Solitude Studios”. Later, a friend of mine pointed out that Superman’s home is called the “Fortress of Solitude”, making me that much more of a nerd.

I listened to a few Solitude Studio podcasts today. Tell me how that started.

Several years ago, the podcast started as a radio show on United Breaks FM. From there, it moved to Party 95 out of Orlando. After several years on Party 95, and shortly after I started Solitude Studios, the record label, I changed the radio show to a Podcast I aired myself, once a month. Originally, the weekly radio show spotlighted the most popular breaks of the time. I tried to make the show put breaks in a good light. As my tastes evolved, I started adding other sounds and styles. Today the podcast is my way of showcasing the latest Solitude Studios release. The podcast’s sound each month, directly reflects the style of the release. As my own sound grows and expands, so will the podcast’s.

Solitude Studios Logo (JPEG), with slogan, Alternate

Talk to me about Denver. How you arrived, why you stay, what the music landscape is like etc.

In 2007, I was touring with Huda Hudia. The last stop on the tour was Denver, Colorado. I loved it. I loved the climate, the view, the city, and instantly clicked with the group of people we had met at that gig. At the time I was living in Atlanta, Georgia, and had been in the south for upwards of 12 years. I hated it. I was tired of the dirty south. A little over a month later, I had moved to Denver. I thought I wanted to move back to Florida in 2014. After getting there, it took me about 7 months before I was back in Denver, I missed it so much. This is my home now.

Denver is the birth place of Beatport, so the music scene has always been pretty hot. We’ve also got some pretty famous clubs, from Vinyl that over the past 20 years has hosted just about every one of the biggest DJ’s, to The Church, which is a gorgeous converted Catholic church, to Beta, which is now one of the country’s super clubs. We’ve also got some pretty successful promoters that have had their hands in some massive events.

There really isn’t much to complain about out here from a musical stand point.

When you sit down and listen for tunes to play or remix, what do you look for?

I look for originality and production quality. I look for tracks that are unique. As the use of premade and purchased sample packs increases, I’ve decided I would rather steer clear of them. I applaud the companies that have created successful businesses around selling the packs. And, I feel there is a place for good sampling, that’s what so much of my generation’s music is founded on, from hip hop, to pop music, to dance music. But I feel relying on sample packs and construction kits is lazy, and ultimately decreases sound quality. You can’t alter the effects already on the samples, so producers are limited in how much they can manipulate their sounds to specifically fit with the sounds they produce themselves. When I look for tracks for my own virtual record bag, I look for tracks that don’t sound they’ve come from those packs. When I look for tunes to remix, I try to choose tunes that I can’t use my own original production to make the remix sound top notch and unique.

Aside from that, when I’m looking for new music, I try to avoid blatant drug references and sexists or abusive lyrics. I don’t do drugs, I don’t party like that. It’s just not my thing. And, the bad lyrics and vocals are just annoying. I don’t really want to hear some MC demoralizing woman. Again, that goes back to the “DJ Hero” name sake. I just don’t think either is a good look, and doesn’t set a good example.

DJ HERO LOGO

What’s the Hero/Wes Smith connection?

A while back I was listening to a mixed set online while hiking with my dog. In the mix was a pretty cool track that I couldn’t ID. I reached out to the DJ that posted the mix, and he said it was Wes Smith’s remix of his track. I heard a new/different remix in my head, so I asked if I could have a go at a remix. The DJ agreed, and sent me the remix pack. After going through the remix pack, I noticed it was missing one of the pieces I really liked about Wes’s remix. At that point I reached out to Wes for the part I wanted. Once Wes sent it to me, I completed the remix and sent it to the original producer of the tune, and to Wes (because he had given me a pieces from his remix of it). Wes seemed to enjoy the remix quite a bit, and, later, asked if I would remix one of the tunes on his album “It’s Wes Smith Yo!” The rest is history.

DJ Hero 4

What’s some advice you would like to pass on?

If I could say just one thing to every would-be producer looking to make music, I would say “be you”. Make the music you want to make. Don’t try to make something that sounds like the other guy. Don’t make music to be cool or successful, do it to express yourself. But, I never want to say just one thing, so let me add this; Take your time, make mistakes. Suck for a while, because you’re supposed to. Learn your craft. Prevent yourself from taking short cuts. Learn humility, because not everyone is going to like you, people are going to lie to you, blow smoke up your ass, hate on you, etc. And, that is OK….be you.

Beyond that, don’t send a label an unfinished track. That’s the fastest way to be skipped over when the label goes to listen to the demos in their in box. Label your work properly; Artist Name – Track Title (Mix Title). If the label doesn’t know who and what they are listening to, they won’t follow up and try to find you. Instead they’ll find another track. Take some pride in your work.

After Turntable Sax, what’s next for DJ Hero?

I’m going to keep making new music. After really contemplating who “DJ Hero” is over the past two years or so, I’ve come to the decision that I love far too many sounds, and too many genres to limit myself to just ‘breaks’. That said, I’m going to make whatever inspires me, be it breaks, house, trap, or anything else for that matter. The goal is to create music that can span the genres in one mixed set.

Related links:

[DJ Hero : Soundcloud] [DJ Hero : Mixcloud] [Wes Smith Original]